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Date : 19 / Sep / 2017
Time : 7:00PM & 9:00PM
Address : 1385 Curtis Street, Denver, CO 80204

TOM JONES

ELLIE CAULKINS OPERA HOUSE

TOM JONES

TUESDAY, SEPTEMBER 19
ELLIE CAULKINS OPERA HOUSE

 

TICKETS ON SALE FRIDAY, JUNE 16 AT 10:00 A.M.

 

Denver (June 12, 2017) – AEG Presents is pleased to welcome legendary icon TOM JONES to Ellie Caulkins Opera House in Denver on Tuesday, September 19, 2017 at 8:00 p.m.

 

Tom Jones’ 50-year career has remarkably gone from strength to strength. Along with sustaining his popularity as a live performer and recording artist for five decades, he has garnered – at the age of 77 – the best reviews of his career for hismost recent albums, Long Lost Suitcase, Spirit In The Room and Praise & Blame (Island/Universal). Critics across the world are unanimous in their approval and admiration for both the recorded work and the performance of it in concert.

 

Thomas Jones Woodward was born in Pontypridd, South Wales, Great Britain on June 7, 1940 to a father who worked the coal mines of the Rhondda Valley. After quitting school at 15, working a variety of manual jobs, singing in theclubs at night and marrying at 17, Jones went on to sign with Decca Records in London.

 

Jones has a fundamental interest in a wide range of music. Although he is well known for hits including It’s Not Unusual, Kiss, Delilah, What’s New Pussycat, I’ll Never Fall In Love Again and If I Only Knew, he is first and foremost an artistwith a true rhythm and blues soul. He has remained a vital recording artist, with his 1999 album Reload the biggest selling (5m) of his then 35-year career. Tom was a key player in Martin Scorsese’s Red White & Blues series, and in 2004released an album of roots rock n roll with Jools Holland. In 2008, 24 Hours, was a critical career highlight with many of the self-penned tracks being an insightful and evocative reflection of his            spirited and rich life.

 

2010 saw a change of direction with Tom releasing his 39th studio album, Praise & Blame. The Praise & Blame mantra was ‘get back to basics’, and the album was recorded as wholly live performances at Peter Gabriel’s studio in Bath,England, produced by Ethan Johns (Kings of Leon, Ryan Adams, Ray LaMontagne, Laura Marling, Paolo Nutini). The result witnessed a singer at the top of his game, with the songs themselves coaxing exhilarating performances out ofTom and his band.

 

Following the success of Praise & Blame, in May 2012 Tom released ‘Spirit In The Room’. Paired once again with producer/guitarist Ethan Johns at Bath’s Real World Studios, ‘Spirit In The Room’, like it’s predecessor, allows anunvarnished Tom to bring a voice to songs as only he

can. Accompanied by Ethan Johns throughout, the album includes gems from a diverse choice of writers – Richard Thompson, Leonard Cohen, Paul Simon and Paul McCartney amongst others. ‘Spirit In The Room’ is simple, raw andsoulful.

 

Tom was knighted by Her Majesty the Queen in 2006, an honour he deeply cherishes. An honour he was able to celebrate once again in 2012 when he performed at the Queens Diamond Jubilee concert at Buckingham Palace. Otherhighlights of his long career include receiving BRIT Awards for Best Male and Outstanding Contribution to Music, a Silver Clef Award for Lifetime Achievement, the Hitmaker Award from the [US] Songwriters Hall of Fame, GQ Man OfThe Year, and the prestigious [UK] Music Industry Trust Award.

 

He has been animated as himself in The Simpsons, Duck Dodgers, The Emperors New Groove; other film roles include Tim Burton’s Mars Attacks. In 2012 he landed his first acting role not playing himself, alongside Brenda Blethyn andAlison Steadman, in “Playhouse Presents: King of The Teds” for Sky Arts.

 

In and amongst a very successful touring year in 2014, Tom had the thrill of performing at the MCG in Melbourne for the AFL Grand Final, the premier sporting event in Australia, alongside Ed Sheeran. Later in the year, he had the honourof appearing at Neil Young’s Bridge School Benefit concert, sharing the bill with Florence + The Machine, Soundgarden, Pearl Jam, Brian Wilson and others. And over in the UK, he was pleased to close the first Annual BBC MusicAwards, helping to salute a fantastic year of music across the BBC by performing alongside Paloma Faith, a chorus of hundreds and the BBC Concert Orchestra.

 

In 2015, Sir Tom continued his role as Coach on on the 4th series of The Voice UK, working alongside Will.i.am, Rita Ora and Ricky Wilson. In February of that year, a very special invitation was received to perform at the 25thAnniversary of MusiCares Person Of The Year tribute honouring Bob Dylan, alongside musical luminaries Bruce Springsteen, Beck, Jack White, Bonnie Raitt, Willie Nelson and many more. The following evening he sang a duet withJessie J at the 57th Annual Grammy Awards.

 

After a busy few months touring, Sir Tom went into the latter part of 2015 with 2 very special releases, his first ever autobiography entitled Over The Top And Back (Penguin Books), and the book’s companion soundtrack entitled Long LostSuitcase (VirginEMI/Caroline) which he actively promoted internationally. He also engaged in a major fund-raising effort for the BBC’s

charity Children In Need, headlining a special 2-hour television event with his friends in both music and comedy.

 

2016 was a difficult but busy year of performing and touring for Sir Tom as he has laboured to work through the grief of losing his childhood friend and wife of 59 years, Melinda, in April.  Tom and his band lifted performances to a different level, garnering rave reviews in Europe and America.  Going into the Autumn, Sir Tom returned to The Voice UK, now on ITV (tx 2017), where he continued to find and guide new talent. A quick trip to Germany to perform with the stellar Helena Fischer finished the year on a positive note.

 

Sir Tom is indeed a living legend, one of the few musical artists whose profession began at the dawn of modern popular music who continues to have a vital recording and performing career to this day. His irresistible show traversesmusical eras and genres, cuts across class divides and appeals to young and old, male and female, mainstream and cutting edge. Sir Tom has always been about the power of the song, the power of the voice.